Industry & Labor

Gallup survey finds 71% of US residents approve of unions amid a wave of successful organizing efforts

Cinematographer John Seale Talks Turning Down ‘Furiosa’ and Capping His Career With ‘Three Thousand Years of Longing’

As the director, executive producer and star of Netflix’s Emmy-winning crime drama Ozark, Jason Bateman looked to create a work of “detail and precision,” marked by “an economy” of visual communication—one that would lean into and repeatedly pull off his most “complicated idea or desire.”

Cinematographers Petr Hlinomaz and Fred Murphy tell IndieWire about how their compositions and lens choices help create terror on "Evil."

From "Euphoria" to "Atlanta" and "Loki" to "Station Eleven," 15 directors of photography tell IndieWire about the equipment they chose for their Emmy-nominated series — and, more importantly, why they chose it.

The six nominees for this year’s Half-Hour Cinematography category share their trade secrets, including why the landscape of the comedy series has changed so, well….dramatically

When it came time to shoot “The Theater and Its Double” — the seventh episode of “Euphoria’s” second season, Emmy-nominated for cinematography — Hungarian DP Marcell Rév already had some necessary experience.

“Only Murders in the Building” cinematographer Chris Teague got a chance to step behind the camera to direct two episodes of the Emmy-nominated Hulu series.

Peele and cinematographer Hoyte van Hoytema tell IndieWire about making the first horror movie shot in IMAX.

Line producers, production supervisors, production assistants and others on TV commercials are seeking to join the crew union IATSE after the pandemic exerted new pressures on their department and showed "all the cracks in our system," says one supporter.

Members of the Animation Guild, IATSE local 839, have voted overwhelmingly to ratify a new film and TV contract with the Alliance of Motion Picture and Television Producers. The vote was 87% in favor of ratification. According to the guild, the number of members who voted more than tripled since the last ratification vote.

In recreating Elvis Presley’s famous ’68 Comeback Special, “Elvis” cinematographer Mandy Walker spent hours watching and examining old footage to faithfully reproduce certain shots and lighting changes for Baz Luhrmann’s biopic.