News & Articles

IndieWire reached out to the directors of photography whose films are in awards contention and are among the most critically acclaimed films of the year to find out which cameras and lenses they used and, more importantly, why these were the right tools to create the visual language of their respective films.

Nominations are now open for the 2022 Young Workers Committee Conference! After this unprecedented year for our union, we anticipate more interest than ever for Local Unions to nominate Young Workers to attend our 2022 Young Workers Committee Conference (YWCC)

In January 2021, following the inauguration of President Biden and the release of his COVID-19 vaccination plan, the union facilitated a letter to President Biden and the White Houses’ COVID task force offering the IA’s infrastructure and labor to build field vaccination sites.

Lana Wachowski is embracing quantum magic moments now. In the past, "The Matrix Resurrections" director wanted to control the image and the light as much as possible.

If you’re a fan of cinematographer Dan Laustsen and want to hear how Nightmare Alley was made and the way he works with Guillermo del Toro, I’m about to make you very happy. Shortly before Nightmare Alley was released, I landed an extended and wide-ranging interview with Laustsen.

On the latest Go Creative Show podcast, Succession season 3 cinematographers Christopher Norr and Patrick Capone talk about the show’s multi-camera handheld-style and natural lighting.

Local 600 launches Pilot Mentorship Program

Local 600 has compiled a list of fantastic organizations to donate to this holiday season.

The leaders of two outlaw gangs have bloody scores to settle. Set in the late 1800s in the American West, the Netflix feature The Harder They Fall follows Nat Love (Jonathan Majors), Rufus Buck (Idris Elba) and their respective cohorts as they head toward a final showdown. Director Jeymes Samuel did not want the movie to look like any other Western, and that was fine with cinematographer Mihai Malaimare Jr. and production designer Martin Whist.

One of Ava Berkofsky’s most memorable “Insecure” moments ended up being a perfect visual metaphor for the show’s farewell season.