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Unless an agreement is reached with the Alliance of Motion Picture and Television Producers in the coming days, 60,000 IATSE film and TV workers will go on strike on Monday, Oct. 18, at 12:01 a.m. PDT.

IATSE is gearing up for a strike if contract talks with the AMPTP fail to produce a fair deal. “We are hoping for a deal but preparing for a strike,” a union source tells Deadline.

Hollywood’s workers are on the edge of their seats, waiting to hear whether they will be going on a picket line. Eight days ago, 98% of International Alliance of Theatrical Stage Employees members who voted chose to authorize a strike if the Alliance of Motion Picture and Television Producers doesn’t offer them a better deal.

When the industry came together last fall on a hard-fought agreement among multiple unions and the major studios on COVID safety protocols for production, some executives were wary of the precedent set by new limits on working hours.

In 2015, Cutter Ray Palacios, an actor from Texas, moved to Los Angeles. While auditioning for roles, he found himself working primarily as a production assistant (P.A.), a job that can entail transporting actors to and from set, moving equipment, sorting mail and running errands for producers or other members of the crew.

The John F. Kennedy Center for the Performing Arts’ management and IATSE-affiliated stagehands have reached a new three-year contract agreement, avoiding a potential strike that would have seen the union picket Hadestown and possibly other upcoming productions.

An overwhelming majority of film and TV workers have given the International Alliance of Theatrical Stage Employees permission to strike if the Alliance of Motion Picture and Television Producers doesn’t offer them a better deal.

Earlier this week, union members representing more than 60,000 film and TV workers gave the International Alliance of Theatrical Stage Employees permission to call for a strike if the Alliance of Motion Picture and Television Producers doesn’t offer them a better deal.

With Daniel Craig back for his fifth and final outing as 007 in EON’s 25th Bond movie, No Time to Die‘s Oscar-winning cinematographer Linus Sandgren describes his ambitious work in a new episode of The Hollywood Reporter‘s Behind the Screen.

It’s typical for Hollywood’s labor unions to support for each other during labor disputes, but the support for IATSE during its current contract dispute with film and TV producers goes beyond the usual labor solidarity.