The International Alliance of Theatrical Stage Employees (IATSE) has released a statement in support of its members getting vaccinated against COVID-19.
Cinematographer Flavio Martínez Labiano got to shoot his biggest picture to date with Jungle Cruise. The Disney film is based on a theme park ride, but for cinematographer Flavio Martínez Labiano, it’s more influenced by old Hollywood classics.
Three COVID outbreaks have been reported over the last week at entertainment industry facilities, as the delta variant causes a spike in cases in Los Angeles County.
The incumbent leader of the union, running unopposed, was re-elected by acclamation at the union’s 69th Quadrennial Convention in Jersey City, New Jersey, on Thursday.
Norm Langley was one of the first Black camera operators to break into the business in the early 1970s, when the industry was facing government pressure to diversify. He had a 38-year career, working on TV shows like “The Practice” and movies including “The Color Purple” and “Indiana Jones and the Last Crusade.”
Netflix’s Fear Street trilogy was a massive undertaking. But for cinematographer Caleb Heymann, it was downright breezy compared to his current schedule for Stranger Things. But still, Heymann and the crew had a tall order to complete.
Racial justice activists who have been working on divesting Hollywood from police ties and pushing the industry to invest more in Black creators say that there hasn’t been meaningful follow-through after they raised anti-racist demands and took meetings with industry leaders last year.
Loki’s penultimate episode, “Journey Into Mystery,” reunited Loki (Tom Hiddleston) with Sylvie (Sophia Di Martino) and Mobius (Owen Wilson), but only after introducing us to a dazzling array of Loki variants (#AlligatorLoki).
Gabriel Beristain was named the cinematographer of Marvel Cinematic Universe’s “Black Widow,” a film that is projected to be the most anticipated movie of the summer of 2021.
IndieWire reached out to the directors of photography whose feature films are premiering at the 2021 Cannes Film Festival to find out which cameras and lenses they used and, more importantly, why these were the right tools to create the look and visual language of these highly anticipated films.