News & Articles

Could movies be losing their cultural cachet? The latest evidence: The Golden Globe Awards saw ratings plummet 62 percent in total viewers to just 6.91 million. Sure, there were extenuating circumstances: The show lacked a strong lead-in; the virtual ceremony meant the glitz was dialed way down; and because of the pandemic-forced cinema closings, most of the films never had a chance to woo moviegoers in theaters.

If Hollywood were to address racial inequities in the film and TV industry, annual revenue could rise by 7%, or about $10 billlion, according to the findings of a new study from McKinsey. The consulting firm’s research found that Black-led stories are underfunded and undervalued.

(Reuters) - A group of U.S. lawmakers visited an Amazon facility in Alabama on Friday to lend support to a growing push to unionize its workers, in what labor leaders and lawmakers called one of the most important union elections in United States history.

While “Nomadland’s” Joshua James Richards and “Mank’s” Erik Messerschmidt lead the field for the cinematography Oscar race, this is a deep competition, and although there are some women contending, they are once again a minority.

In advance of International Women’s Day on March 8, Netflix Head of Global TV Bela Bajaria announced that the first $5 million of a recently announced Creative Equity Fund will go towards programs that help to nurture, develop and uplift women in the entertainment industry globally.

BATON ROUGE, La. (KTVE/KARD) — Two creative industry partners in Louisiana have received a $220,372 grant from the state. According to the state, The New Orleans Video Access Center (NOVAC) and the Local 478 of IATSE, the International Alliance of Theatrical State Employees, will share the grant from Louisiana’s new Entertainment Development Fund.

Leaders of the DGA, SAG-AFTRA and IATSE have sent a letter to congressional leaders urging them to work with President Joe Biden to pass the $1.9 trillion American Rescue Plan Act, saying that it will provide “much-needed relief for the current crisis and address long-standing vulnerabilities in our economy.”

The honorees for this year's ECAs have been announced.

IndieWire reached out to the cinematographers whose films are in awards contention and among the most critically acclaimed films of the year to find out which cameras and lenses they used and, more importantly, why these were the right tools to create the visual language of their respective films.

The International Cinematographers Guild (IATSE Local 600) announced 10 honorees for its annual Emerging Cinematographer Awards, which aim to spotlight promising cinematographers. Due to the pandemic, the 2020 honorees, as well as this year recipients, will be recognized during a virtual presentation this fall.

“When I first read it, I was quite scared of it,” admits cinematographer Tobias Schliessler of “Ma Rainey’s Black Bottom.” The script was adapted from the play by late playwright August Wilson, and its stage origins meant that the majority of the story takes place within two rooms.

A Q&A webinar with Simmons is scheduled for Feb. 28, from 3 p.m. to 4:30 p.m. For more information, visit www.casa01001.org